tsukeshime bachi (usually smaller diameter, softer "hou" wood)
nagado bachi (usually larger diameter, harder "kashi" wood)
earplugs
welcome
- today's goal: OmiAIUEO
overview
- issues w/ reg. Omi
-- kiai
-- want more musical layers
- new version
-- in 3
-- slower to emphasize power strikes
-- really challenging jiuchi parts
-- solos rhythmically simpler, sticking-as-choreo, "snippet-based"
parts (starting point, revisions welcome!)
- nagado: AT, YK, ZS, CT
- jiuchi
-- KB - drone, aiueo, bachi melody A
-- BO - aiueo, 2/4, bachi melody C
-- VL - aiueo, 2/4, bachi melody B
-- CF - aiueo, alt2/4 bachi melody D
-- YH - aiueo, o-oke, bachi melody altA
-- KM - aiueo, cymbal swells, bachi melody altB
AIUEO
- enunciation
-- A vs I, I vs U, etc
- overlaying rhythm in 3
- med and high-energy versions
- tone variations: A->E, A->C, etc
- future: long tones
- homework:
-- enunciation
-- actual syllables
-- practice belting it out in car
nagado
- main lines in 3/4
-- A - su L RLR, su L RLR, su L LRL R L, LR
-- A - su L RLR, su L RLR, su L LRL R R RL
-- Ax - suL & suR & suL & R, R R R suL RL
-- Ax - suL & suR & suL & R, R L R suL LR
-- tag - R L R suL, R L R suL, suR & SL & R
2/4 jiuchi
- main players: BO VL, alternates CF, YH
- 2/4 accents, with varying levels of "flam"
- 16th note quiet hits with 2/4 accents
combine jiuchi and nagado
clean and close