03

Quitiplas [ki-ti-plah] in the Pocket - Week 2

Warm up: Keith Terry's Rhythm Block
- 0 > 9 Right Hand and then Left Hand
- Backward 9 > 0 Left Hand then Right Hand (note: odd number begins with right side, even number begins with left side)
Zip Code
Area Code

Body Percussion Drills
Prima
Prima+Cruzao
Cruzao+Pujao
Prima+Pujao
Prima+Cruzao+Pujao

Learn Quitiplas with body percussion - "plas" match with Prima
"plah" - "Qui" - "Ti"
Quitiplas v.s. Prima+Cruzao
Quitiplas v.s. Prima+Cruzao+Pujao

Fuera Drill
everyone plays prima+cruzao+pujao on body percussion, each person has one chance to say "fuera" and everyone else will respond with "don don don don"

Drumming Drill
All-one
-Prima: resonance has improved
-Cruzao: 1st two hits have improved, "te" still need more resonance
-Pujao: clarified the last 3 hits, instead of "don don don", play "bam bam bam" instead

All-one extended
- "one" plays quitiplas
- on deck person plays prima through out "all" and "one"

All-one double extended
-"one" plays quitiplas
- on deck person plays prima through out "all" and "one"
- 2nd on deck person plays cruzao through out "all" and "one"

Fuera Drill:
- pick any basebeat
- each person has 1 chance to short "fuera" at any time in any order, everyone else will respond with "don don don don"
- each time when you go back on the 1, switch to a different backbeat

Solo Tag drill with kuchishoga
singing v.s. prima+cruzao on body percussion
v.1 short "nyah" which line up the 1 of "prima+cruzao"
v.2 "nyah" last for 2 beats, the 1 of solo tag pattern B will land on the second beat of Cruzao

Solo Tag Pattern C
Create your own movement (see Video 1 and 2)
da ga do-DON > quick > slow > pose > Pattern B > fuera

Discussion for week 4 video arrangement (see photo)