tsukeshime bachi (usually smaller diameter, softer "hou" wood)
nagado bachi (usually larger diameter, harder "kashi" wood)
earplugs
Welcome
- introductions
- space overview
-- LATI / ATUS
-- lights, air, whiteboard, music stands
- course overview
-- 12 weeks, coaching session
-- goals: stance and strike fundamentals
-- ability to answer these questions
--- why naname?
(for future reference)
---- to allow movement
---- to emphasize the line of the strike
---- asymmetry of body, arms
--- what are the three variables of stance?
(for future reference)
---- pi angle
---- distance
---- stance angle
--- what are three aspects of the beautiful strike?
(for future reference)
---- tone
---- relaxation
---- grace of free bachi movement
---- speed
---- clarity of strike axis
- instrument use
-- bachi
-- setting up drums
- "Yoroshiku onegaishimasu"
starting point video: M1-4 copycat
demo M1-4
history of naname
today: grip and stance variables
- grip starting point - beta / naname
-- back fingers
-- thumb/pointer V
-- no "fishing" muscles
-- medium strike and bachi whip
-- L hand beta/naname copycat
ender M1-4 copycat
clean overview
close
- arigato gozaimashita