nagado bachi (usually larger diameter, harder "kashi" wood)
earplugs
Aisatsu
Omiyage
Sh/Ok Intro Change:
Add rest: Don Don Te DoTe Te Do Te Dokodon "- 2 - 3 - 4 -"
Ten Ten dokodoko - Abi (pp)
Ten Ten dokodoko - Nathan (p)
Ten Ten dokodoko - Both (mf)
tekedokodokodokoDon - Both (f)
Cold Run
Notes from Yuta:
General:
UnitOne Omiyage: 7:09
UnitTwo Omiyage: 9:30
The piece is long, and it feels long.
It feels like the Intro was extended so that everyone can be a part of it.
It feels like everyone is soloing for the sake of everyone getting an opportunity to solo.
Without changing the structure nor the tempo, there has to be a way to make it seem like it's not long.
There has to be a way make sure that the audience is engaged throughout all the solos.
= more thought, conviction, and no leakage of energy
Specifics:
-Roll on the beginning - follow Nathan's lead and exaggerate the different ways of playing this roll
-Entrance into Intro Pattern
-Entrance into A
-A left arm twirl needs more awareness
-Aext - think of what is different between A and Aext - Accentuate this difference
-B - set up in a tight diagonal line, copy the person in front
-Ax4 - same practice as B
Run Through: https://youtu.be/N9MerTqzwIU
Aisatsu