Date:
Thursday, January 17, 2019 - 18:00 to 19:45
Student should bring:
nagado bachi (usually larger diameter, maple or "ho" wood)
earplugs
Class syllabus:
Welcome
- Name. If you could stop time for a month, how would you spend it?
Notation
See Class 01 for detailed notation.
- 4 dashes (-) = #eau = 1 count
- 4 counts = 1 bar.
Each count is seperated by a "/ ". Each bar is separated by starting on the next line or with brackets [ ]. - Hits are emphasized with #s and "e" "a" "u"
- Hit the #s (1, 2, 3, 4) and "a" with the right (R). Hit the "e" and "u" with the left (L).
- Kuchishoga
- "g-" = L hits
"d-" = R hits
Review
GROOVE 1
1-a- / 2-a- / 3-a- / 4-a- x4 (do da-)
1-a- / 2-a- / 3-a- / 4-a- x4 (de da-)
1--- / 2--- / 3--- / 4--- x4 (de only)
--a- / --a- / --a- / --a- x3 + silent Count 4 (da only)
All R hits
- Class plays Groove 1 as one person plays a solo one at a time. Immediate transition.
Group Exercise
RUDIMENT 1
- Group A plays Groove 1 twice as Group B plays the first bar of Rudiment 1A twice. Groups switch parts without skipping a beat; make transition seamless. Switch parts.
- Group A plays Groove 1 twice as Group B plays the second bar twice. Switch parts.
- Group A plays Groove 1 twice as Group B plays the third bar twice. Switch parts.
- Group A plays Groove 1 twice as Group B plays the fourth bar twice. Switch parts.
- Group A plays Groove 1 twice as Group B plays the first bar of Rudiment 1B twice. Groups switch parts without skipping a beat; make transition seamless. Switch parts.
- Group A plays Groove 1 twice as Group B plays the second bar twice. Switch parts.
- Group A plays Groove 1 twice as Group B plays the third bar twice. Switch parts.
- Group A plays Groove 1 twice as Group B plays the fourth bar twice. Switch parts.
Rudiment 1A
1--- / ---- / ---- / ----
---- / 2--- / ---- / ----
---- / ---- / 3--- / ----
---- / ---- / ---- / 4---
All don (R) hits
Rudiment 1B
--a- / ---- / ---- / ----
---- / --a- / ---- / ----
---- / ---- / --a- / ----
---- / ---- / ---- / --a-
All don (R) hits
Group Exercise: Rudiment 1 (video)
(Sorry...it's blurry)
RUDIMENT 5
1e-- / ---- / 3e-- / ----
---- / 2e-- / ---- / 4e--
--au / --au / --au / --au
All dogo (RL--) hits
- Do not shorten your arms. Extend them and force yourself to time the hits.
- Make sure to consistently hit the down beats (#s) with the first hits (R). It's easy of people to hit the down beats on the second hit (L).
- Group A plays Groove 1 (de don) twice as Group B plays the first bar of Rudiment 5 twice. Groups switch parts without skipping a beat; make transition seamless.
- Group A plays Groove 1 twice as Group B plays the second bar twice. Switch parts.
- Group A plays Groove 1 twice as Group B plays the third bar twice. Switch parts. x2
Group Exercise: Rudiment 5 (video)
Rudiment 2
1-a- / 2-a- / 3-a- / 4-a-
- do go hits; alternating hands (R-L- / R-L- ...)
- Goal: L as loud as R, confident hits. Pay attention to the height of the bachis when you pull them up for a strike. If the L and R bachis reach the same strike heights, they should sound more even.
- Don't turn your body. Try to keep your shoulder "locked".
Exercise
- Group A plays four counts of Groove 1 once (the simple doda form) as Group B plays four counts of Rudiment 2. Switch parts.
- Group A plays two counts of Groove 1 as Group B plays two counts of Rudiment 2. Switch parts. x2
- Group A plays one counts of Groove 1 as Group B plays one counts of Rudiment 2. Switch parts. x4
Rudiment 3
1eau / 2eau / 3eau / 4eau
- dogodogo hits; alternating hands (RLRL / RLRL ...)
- Goal: tight timing. Focus on hitting the R with the Groove 1 hits (on the do and da).
- Concentrate and engage with the rhythm. Can't let mind wander or else you might miss the beat or stagger the hits with the beat.
Exercise
- Group A plays four counts of Groove 1 once (the simple doda form) as Group B plays four counts of Rudiment 3. Switch parts.
- Group A plays two counts of Groove 1 as Group B plays two counts of Rudiment 3. Switch parts. x2
- Group A plays one counts of Groove 1 as Group B plays one counts of Rudiment 3. Switch parts. x4
Group Exercise: Rudiment 2 & 3 (video)
Closing
- next week w DW
- sweep around drums, set in rows
Homework:
Things to Remember
Pedestal Stance
- For detailed hits, not really more full power.
- Put most of your weight on a bent left leg. You should be able lift your right leg off the floor and play standing on just the left leg.
- The right leg is extended toward the taiko, lightly touching the floor. There should be a diagonal line that can be drawn from the top of your head to your right toe.
- Find a stance that is not too formal nor laxed.
Full Strike Stance
- For full powered hits
Teacher(s):
Kris Bergstrom
Attendance:
Alexandre Johnson
Chris Olson
Hiro Hirashiki
Jeri DeCastro
Katie Durnbaugh
Leslie Harvey
Naomi Nishi
Steve Vilicich
Wendy Ito
Kim Masumi
Barbara Baker